![]() Watch the official music video for Victimhood below. These characters are so magical, they just have such deep, deep meaning for me.” Thats not to say it is isnt good, rather that the only difference is the colour. A lot of what they sell consists of unique colour variants limited to a relatively low number. “That’s a strange kind of victim hat too, you choose to do that, nobody asked you to. Their quality is typically very good, especially on their ROTM releases. Sometimes it becomes the role of the women, in difficult situations to take on the catharsis and emotional work, and if there’s some dark shadows or forces in a situation, we’ll convert it into sort of good energy, for other family members, so they don’t have to, we will take care of it. It’s trickier to catch the tail of the self-pity for an optimist. ![]() I think in the lyrics themselves, there’s this poetry about a human situation that’s really welcoming for everyone, I think everyone can understand it”.ījörk added: “I sort of have this illusion idea of myself as being this kind of optimist. To break through the concrete mask of a certain feeling at a certain time. “Instead of pointing at somebody else all the time, it’s so nice to rediscover yourself. The song deals with things that I often think about, it’s about self-pity and how ridiculous you were or how funny you were in a situation, or in a strange place where you had hard times, and then you see yourself. It was a deep connection from the first time I heard it. I couldn’t forget it, I had some dreams about it too. Speaking about the video, Friðriksdóttir said: “I was absolutely fascinated by the song. Little damage on top left corner of sleeve as shown in pictures. Lifted from the Icelandic star’s most recent LP, ‘Fossora’ (2022), the track is accompanied by a clip directed by Gabríela Friðriksdóttir & Pierre-Alain Giraud, which was premiered during her ‘Cornucopia’ tour stop in Lisbon, Portugal. Young Thug - So Much Fun Green Vinyl Me Please VMP. ![]() These *will* sell out.Björk has unveiled an enchanting animated music video for her latest single, Victimhood. (The set was produced by Stephen Anerson, Courtney Catagnus, Clay Conder and Kathleen Moloney.) On Instagram this afternoon, Moore posted a promotional clip for the set - adding, in a comment, “If you’re planning to buy one, HURRY UP. Moore, who has a piece about London Brewin today’s New York Times, served as one of the executive producers of Miles Davis: The Electric Years. Once the system was in place, his job was to assemble its players and feed it bits of input.” In an absorbing new liner essay for the VMP Anthology, Ben Ratliff appraises this musical corpus as “some of the most confusing music ever made.” Speaking of Davis’ decision-making as the ‘60s drew to a close, Ratliff writes: “He moved in the direction of creating, let’s say, systems that would self-generate, or that he could switch on and switch off, with which he could engage and cleanly disengage. There have been entire books devoted to Davis’ early electric era, by Paul Tingen, Phil Freeman and others that musical legacy continues to yield tributes like London Brew, a new all-star tribute from the London scene. Over time, Crouch’s cantankerous assessment has faded so far into the minority as to become a curio. “Beginning with the 1969 In a Silent Way, Davis’s sound was mostly lost among electronic instruments, inside a long, maudlin piece of droning wallpaper music.” Altogether, this body of work represents a pivot point in Davis’ career, with broader implications for improvised music and pop culture.Īmong the most outspoken detractors of this oeuvre was critic Stanley Crouch, who made his case in a 1986 essay titled On the Corner: The Sellout of Miles Davis (now anthologized in the book Considering Genius: Writings on Jazz). Mastered in all-analog fashion at Sterling Sound from direct transfers of the master tapes, the albums will be pressed on 180-gram black vinyl, in a first edition of 2,000 units. Now those two entities have also partnered with the subscription service Vinyl Me, Please on VMP Anthology: Miles Davis: The Electric Years.Īnnounced today, it’s a collection of seven albums released between ‘69 and ‘74: In a Silent Way, Bitches Brew, A Tribute to Jack Johnson, Live-Evil, On The Corner, Big Fun, and Get Up With It. ![]() The trumpeter’s estate, in collaboration with Legacy Records, has already released a slew of acclaimed boxed sets that capture the hazy creative foment of the era. Few phrases in jazz lore have ever been more fertile or fraught than “Electric Miles” - shorthand for the body of work created by Miles Davis from 1969 on, especially in the following decade. ![]()
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